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U.S. 1 Poets' Coop

30th Anniversary Issue

Staff for this issue:

 

Managing Editor: Winifred Hughes

Production Editor: Ellen Foos

Editors: Jean Hollander, Winifred Hughes, Elizabeth Anne Socolow, Robert Welch

Circulation Manager: Jane Rawlings

Treasurer: Sara Walsh

Publicity: Carolyn Foote Edelmann

Art Direction /Cover Art: Mary Szilagyi Durkee 

Cover  photograph: Wes Townsend

 

(c) 2003 U.S.1 Poets' Cooperative

 

Contributors to the U.S. 1

30th Anniversary Issue

James Richardson

Cleopatra Mathis

Suzanne Cleary

Jo McKendry

Alicia Ostriker

Judy Michaels

David Sten Herrstrom

Frederick Tibbetts

Lois Marie Harrod

Emily Nguyen

Lyn Powell

Lyn Lifshin

Terry Blackhawk

Elizabeth Danson

Heather Roote Faller

Renee Ashley

Yasmine Rana

Elizabeth Anne Socolow

Susan Zoe Reiman

Salmon Ryder

Linda Artzenius

Judi K. Beach

Penelope Scambly Schott

Carlos Hernandez Pena

John Drexel

Virginia Lockwood

Blaga Dimitrova

Ludmilla G. Popova-Whightman

Charles H. Johnson

David Keller

David Rogers

John McDermott

Maria Mazziotti Gillan

Jean Hollander

Wanda S. Praisner

Shelley Kiernan

Robert Carnevale

Taylor Graham

Juditha Dowd

Betty Bonham Lies

Sarah Browning

Pamela W. Hull

Ann Silsbee

Ellen Foos

Madeline Tiger

Winifred Hughes

David Heinlein

Rodham Tulloss

Judith McNally

Jane Rawlings

Maxine Sussman

Aaron Poller

Nancy Scott

Patricia Celley Groth

John L. Falk

Nancy B. Hodermarsky

Norma Vorhees Sheard

Mike Kane

Miguel Pagiere

Beatrice Smith

A taste of poetry in  this Issue

 

Fox

       Norma Vorhees Sheard 

 

It crosses near the closed end of Small’s Cove,

white-tipped black tail straight up,

four black legs treading lightly

over the moon-licked, marbled flats,

avoiding the danger of sink holes.

 

On the other side, it sniffs the remnant

of snows, trots along the wood line.

I watch every step and swagger, absorbed,

taken in by muscle and motion,

the pale rich fur rinsed by rising sun.

 

Listen. Its disappearance beyond the granite ledge—

the abrupt turn into a dark scramble of spruce—

is like an absence one feels suddenly,

then holds for a long time,

the death of someone. Or something.

 

Elegy

         Alicia Ostriker

i

 All the photographs are lies, in that

in them she looks normal, like other people,

not crazy.

 

Her eyes are compelling as does’ eyes,

and she did not know this, and the worst of it is

she looks alive.

 

I keep telling her to come back sometime!

Come back! I wonder where she is gone,

maybe to find my father?

 

ii 

Watching light abandon the eyes,

searching the cavern of the dropped mouth

toward the shadowed throat,

 

hearing the wheeze and gurgle,

we are like Moses, allowed to see

God’s backside from a cleft in the rock.

 

The face and hands

that horrible and that beautiful,

the mystery diminished not one jot.

 

iii 

It was not only the splendid seeing of the eye

but the hearing of the ear

her silence

 

after the noisiness of us all singing to her,

the touching of skin

when I stroked her forehead goodbye,

 

and patted through the nightgown her belly and breasts—

O I loved her and this

was her response.

 

 

Gemini

         Robert Carnevale

 

The ponds are very still this morning.

Of all life’s fluster and hurry

the sun has heard nothing at all.

 

And the moon, though she has heard,

has sent it back backwards, as from a mirror,

into the radiant calm of two ponds.

 

Two ponds of only one water,

or one life with its two ears.

 

How they have lain open all night.

 

How they will lie open all day.

 

 

 

Graveyard Pie

              (1942-1997)

       David Keller

 

A joke, the ragged cemetery we'd come to look at

has filled up with this season's chokeberry

and goldenrod.  Blueberry bushes

between the headstones are covered with fruit.

"Formaly (sic) from Stowe, Vt" one says and, on the back,

"Murdered by Samuel Mills."  Some have no names.

      

At the lodge a bicycle leans on the porch.

An occasional truck, a carload of tourists

passes on its way to or from this small town.

I watch, hoping to remember later.

In two days we have to leave.  Tonight

we will eat together around the long table

 

with our combined centuries of study and writing

and the blueberries three of us picked.

I love these people and their good laughter,

though I will lose them, and because they hope

to meet again--like a minesweeper crew from the war

growing more grey-haired each year.

 

After dinner we will go to hear poetry

read under the lights, the mice listening

behind the beams.  Again we fill ourselves

on what the dead leave us, what they become:

old songs and bits of laughter, squash with onions, corn,

wine, a good salad, and a piece of graveyard pie.

 

 

 

The Way of Stone

       David Sten Herrstrom

 

To walk among stone

            in a stone-yard exquisite

Loneliness, a loneliness of angles

And the eternal. Here the history of absence.

  

To accept joy from indifferent

River-sculpted boulders that bear

Our rivulets of looking

                        joy from cleaved

Slates that remember the moon, from polished slabs

Glancing a present

            light yet

Holding the gleam of deep time

As if it were ours.

 

Sun struck faces. Scree finds

The angle of repose. We admit gravity

Like an intimate turnbuckle

                        drawing our soft bodies

To rock

 

-for Mr. Koslowski, Master stone-cutter

and for David and Scott,

       fine craftsmen in stone

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