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Volume 54 (2009)

US1 Poets v54 cover


Linda Arntzenius
Jan Ball
Sven Banett
Elizabeth Barbato
Joan Bauer
Rick Black
Terry Blackhawk
Adele Bourne
John Bourne
Eloise Bruce
Robert Carnevale
Enriqueta Carrington
Ralph Copleman
Wieslaw Czyzewski
Elizabeth Danson
Jessica deKoninick
Juditha Dowd
John Drexel
Madelaine Dusseau

Anna Evans
John L. Falk
Ellen Foos
Bridget Gage-Dixon
Gladys Goldberg
Helen Gorenstein
Patricia Celley Groth
Tony Gruenewald
Therese Halscheid
Lois Harrod
Penny Harter
Sandy Heinlein
Peggy Heinrich
Eric Heller
David Sten Herrstrom
William J. Higginson
Jean Hollander
Ruth Holzer
Winnie Hughes
Jenny Isaacs
Charles H. Johnson
Richard Jones
Marie Kane
Vasiliki Katasarou
David Keller
Adele Kenny
Peter Krok
Marsha Kroll
Corey Langer
Lynn Levin


Betty Lies
Joseph Longino
Joyce Lott
Rice Lyons
Daniel Maguire
John McDermott
Mary McGinnis
Jane McKinley
Judith McNally
Ann Michael
Jacqueline Michaud
Judy Rowe Michaels
Carolina Morales
Kathleen Mulholland
Peter Murphy
Mary Ochsner
Sharon Olson
Priscilla Orr
Alicia Ostriker
Kathe Palka
Carlos Hernandez-Pena
Karen Porter
Wanda Praisner
Elizabeth Raby

James Ragan
Jane Rawlings
Ruth Ramsey
James Richardson
Margaret Robinson
Robert Rosenbloom
Russell Rowland
Penelope Schott
Nancy Scott
Norma Sheard
Louis Slee
Elizabeth Socolow
Paul Sohar
Jill Stein
D.E. Steward
Tim Suermondt
Maxine Susman
Shanti S. Tangri
Elaine Terranova
Madeleine Tiger
Ethan Tinkler
Lorraine Vail
Arlene Weiner
Jim Whelden
David W.  Worrell
Sander Zulauf

Enriqueta Carrington / Fugue
            Alas, no rest the guilty find
            from the pursuing Furies of the mind!
                                    –Thomas Broughton

 
And when in his wanderings he lost his pen,
lost the battles, polemics, books he’d planned,
mislaid the triumphs and troubles with women,
drained all ambition of hand or brain or gland,
when he stood naked at the gates of Eden,
when nothing was left but a handful of sand,
he finally allowed all words to disband.
 
And when he allowed all thoughts to disband
and relished the course of every grain of sand,
when he was naked and lived in Eden,
cured of ambition of hand or brain or gland,
released from troubles and triumphs with women,
reprieved from battles, polemics, books he’d planned,
somewhere in his wanderings he lost his pen.

John L. Falk
/ Absence Again
 
Finally, it is hunger
That feeds us,
Desire that makes us
Ambulatory, heals us.
 
Bread, wine, another body
Beneath my hands–
Things have never sustained me.
 
Desire: the more intense,
The less relevant the world.
Nostalgia makes compost of history
Permitting now
Revision to unroll ecstatic,
Flickering a silent image,
So large, livening the wall
Like no belabored tapestry,
Space carved black and white.
 
I listen to the rasp
Of my breathing.
For me, absence roars
Continuous as a waterfall;
Every sense nourished
By disorders of disappearance
Adele Kenny / What Matters
 
Between sleep and will, we row the stubborn water,
            turn the wheel, cling to the spokes when we must.
 
Time is little more than the coin that falls
            through a beggar’s hand. Pieces of lives are
 
lost between dreams, on pages that forgot to
            turn. Memory has no dream of its own, but
 
we cradle it like a violin, close to the throat,
            close to the bone. The anxious dead dream of
 
earth and dirt. They come to us in the dark–close,
            hungry–their hands wrung like breaths from their
 
bodies. They have something to tell us. The light,
            uneven, does not weep or speak their names.
 
What matters is the quiet beak of a lark in the seed,
            the dead tree’s shadow that stretches upstream.

Betty Lies /
Even a nameless stream is a frightening thing
                                                                                                        Buson

Everyone knows what happens
in a wood: you lose yourself
circle eternally
the same trees with their slide of moss
and knowing moss grows
only on the north won’t help

because you haven’t any notion
what direction out lies anyway
and nothing has a name–
the bear, the wolf, the tree
this stream you’ve crossed before–

you touch some greenish stuff
crawling up one side of
those tall rough things
that raise their arms to sky,

and wonder what you’re doing here
but can’t imagine
what here means.

Jacqueline Michaud / Problem Bride

 
There was the time her mother broke her
father’s big toe, dropped a magnum of Mumm
as they waltzed in their robes the night before
the girl was to wed, so relieved were they
she’d found “at last” a “practicing Catholic”
to bed. What a handful that one had been.
 
“Too proud…so vain,” her mother often said.
Her father gimped up the aisle on crutches,
wincing, as the next of his “twelve crosses
to bear” fought back tears. She’d rehearsed
that day in her head for years, but this wasn’t
a bit like her dreams, where everyone wept,
 
awed finally to find her in the robes of a Queen,
with her mother drawing back–bowing low…
lower…LOWER!–falling mute as she passed.